Telling My Story
Out of this darkness emerges Aggie Moorehead, looking ethereal in lavender and with the clock rewound forty years. Aggie is standing in the pool of light in the darker-than-ink blackness; she clears her throat and begins to speak, "Well, ladies and gentlemen, there you have it, the very normal, very lonely death of a once great star of film, radio motion pictures, and television. If I'm honest, I found myself disappointed. I had imagined it would be much more dramatic and less tedious. I suppose in this situation, I must give way to the idea that I am dead. Very inconvenient. I had plans for things, you know. But as long as I'm here, I'd like to invite you into my parlor, as it were, to look at my life. It's a marvelous story, and I do love telling it!"
As if by magic, a large wingback chair appeared on a stage in a theater, and naturally, it was upholstered
in a beautiful gold shot mauve silk. "I would never accept anything less," she said with a smile.
I want you to sit back and enjoy this story. You do know you'll be the first to hear it all.
My life has been shrouded in mystery since, well, forever. I never believed in allowing
your audience to "know" who you are. It dulls the mystery of the entire thing.
I'm making an exception because I've been locked in that room of silence for
so long that I need to air myself out!" Gesturing for the lights to come down in the house,
she began to tell the tale—the tale of a Boston-born preacher's daughter
and how she came to be Agnes Moorehead.
"My father was a tremendous man. He was the most compassionate, broad-minded, and
gentle human I have ever known," Agnes said proudly. Although Father was not a
big man on the outside, he was a universe constantly in motion on the inside.
He was a deep thinker, and so is his daughter.
Often, he would sit in his office, either at the church or in our home, pondering
the sermon he was working on. He would stare off into the void, considering his message
and how it would impact his parishioners. Now and then, he would make
a statement to all of us during his sermon, hiding it carefully in a sermon but
giving more than enough information for Mother, me, or Pegg to get the point.
Oh, it was always a very pointy point, too! But we all took it to heart immediately and counted
ourselves lucky for having been told in a manner that served to praise god.
Papa knew the only way to get through to Mama was to incorporate god
into the statement, and she would absorb it quickly, knowing it was meant for her.
On the other hand, mother was what they called a pistol. Mama was never
afraid to speak her mind and often did so without thinking. Don't misunderstand;
my mother was good, and Pegg and I knew she
loved us.
You see, "Mother was this tiny Victorian lady," " as I once described her.
She had been raised in a rough Irish household with a heart of gold and
the judgment of god. I loved my mother dearly, but if I was,
and I try to be honest, she was hard on Pegg and me. She was so hard on Pegg that
it nearly drove her mad. Pegg was the fairy princess, and I was the angel with the cockeyed halo.
Mother had every right to be proud of Pegg. She was so talented. Peggy played the
violin and the piano, sang like an angel, and danced like Pavlova. Peg had a golden
future in Mother's eyes, mine too, but Mama drove Peg so hard to be perfect at all of it.
Peggy wore herself out trying to live up to her mother and be who she should be.
My father and mother always seemed an unlikely couple to me. They operated in opposite ways.
Papa was gentle and compassionate. Mama was often harsh and judgemental. I understand that
my parents were because of their families and how they were reared. Papa came from a house
full of love. Mama came from a home filled with people trying to stay away from each other.
That's where Mother learned to be outspoken and blunt. Grandma McCauley was unusual.
That's who Pegg was named after, but in true Moorehead fashion, Papa believed Peggy was
named after his grandmother. Trust me, it is much better that way.
Grandma McCauley was everything Grandma Moorehead wasn't, which was not necessarily good.
Father once wrote a sermon about Grandma McCauley" called “The Wicked Grandmother."
I am sure they never saw eye to eye. Papa was polite and cheerful around Grandma McCauley,
but you could see in his eyes that he thought her a hard woman filled with anger who had no outlet.
Of course, there was a reason for that anger. Grandma McCauley was angry at
Father for twenty or more years. It all concerned Mother and the fact that
Father was the minister at her church when she was a young girl. You see, Mama
ran away to marry Papa. She was only 15 when they decided to be married.
It necessitated a trip to Kentucky, where Mother told the county clerk she was 21 and
Father told them he was 27. In truth, Mother had just turned 16, and Father had just turned 30.
Grandmother McCauley was furious at the scandal that centered on them being involved with
each other all those years ago. Although Papa has never admitted it, nor was there church
documentation, I believe he went to Boston to escape the uproar over his relationship with
Mother. He married her, and no, I was not conceived before their marriage.
Thank you very much!
OMG!!! I AM SO EXCITED FOR THIS!!! I was literally thinking of you the other day and was wondering how the book was coming along.
ReplyDeleteI do have a question regarding the text color. Why is some of the text bolded and the rest in regular font? Is the bold items actual words from Agnes (like from interviews etc)? I also hope there are pictures throughout the 600 pages/blog post. Thanks again!! :)
Bold text are letters and articles. Script is Agnes speaking and plain is me commenting under the heading Author's Observations.
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